ORTOTATTILE by heeju kim

ORTO V in Taipei
English
中文
한국어

archival . . .
_{. . . credit 𓍢 𓂅}

ORTOTATTILE V:
Fissures and Seeds

ORTO VI in HK
English
中文
한국어

archival . . .
_{. . . credit 𓍯₊⁺⊹}

ORTOTATTILE VI:
Bao Bread Bao

( heeju kim )

( fissures in Taipei )

( bao bao bao in HK )

4

(close)

archival photos . . .

Heeju Kim
ORTOTATTILE V: Fissures and Seeds,
2026.
hermit, Taipei City, Taiwan

9

(close)

archival photos . . .

Heeju Kim
ORTOTATTILE VI: Bao Bread Bao,
2026.
Hong Kong
© Heeju Kim. Photo: Natalie Holam.

( heeju kim )
hangjukim@gmail.com
Instagram

EN
Heeju Kim, based in Seoul, is an independent curator and interdisciplinary artist who explores the boundaries of visual art through the intersection of the visual, auditory, and tactile. Her works, Ground of Vibration (2024) and Ground of Vibration: Aqueous Layer (2024), envision alternative resonances through vibration, moving beyond the binary of the human and non-human. In her participatory food-art performance workshop ORTOTATTILE (2023), she reinterpreted early 20th-century Italian Futurist formulas/recipes with her own formulas to propose multi-sensory perception. The project expanded into ORTOTATTILE II: Baguette of Solidarities (2024), an experimental inquiry into solidarity and collective voice in democratic society, using the density of ingredients embedded within baguette cross-sections as a medium. ORTOTATTILE IV: (non-)transparent catering (2025) examines the duality embedded within museum systems, institutional labor, and formats through the framework of catering.

From 2020 to 2021, she was active as HjkEg Collective and presented artworks focusing on human emotions and interaction with nature at the Ars Electronica 2021, the Bucheon International Fantastic Film Festival(BIFAN), etc. In 2022, as one of the curators of the team PACK, she took part in the curatorial planning and production of several projects including "Hinterland" (2021-2022), "Hinterland: The Second Story" (2022), and "PACK WEEK 2022" (2022). And she contributed to the planning and production of the works, PACK 〈Hinterland: Future Fossil〉(2022) and PACK 〈Hinterland: The Anatomy of a Houseboat〉(2022) in the Busan Biennale 2022, We, on the Rising Wave.

In 2024, she was selected as a participant in the "M+ x ACC workshop" program by M+ Museum in Hong Kong and the National Asia Culture Center (ACC), receiving support to participate in overseas workshops. She was also chosen as one of the final emerging curators for the "Gwangju Biennale Academy 2024 International Curator Course (GBICC)" and participated in the associated workshop with the 15th Gwangju Biennale, PANSORI: A Soundscape of the 21st Century.

KR
서울을 기반으로 활동하는 김희주는 시각-청각-촉각의 교차점에서 시각 예술의 경계를 탐구하는 독립 큐레이터이자 다학제 예술가다. 인간과 비인간의 구분을 넘어 진동을 통한 대안적 공명을 그려내는 〈Ground of Vibration〉(2024), 〈Ground of Vibration: Aqueous Layer〉(2024)를 선보였으며, 20세기 초 이탈리아 미래주의 레시피를 자신의 포뮬라로 재해석한 참여형 퍼포먼스 워크숍 〈ORTOTATTILE〉(2023)를 통해 다중 감각 인식을 제안했다. 이 프로젝트는 〈ORTOTATTILE II: Baguette of Solidarities〉(2024)로 확장되며, 바게트 단면의 기공을 채운 재료의 밀도를 매개로 민주 사회에서의 연대와 집단적 목소리를 탐구하는 실험으로 이어졌으며, 〈ORTOTATTILE IV: (non-)transparent catering〉(2025)은 케이터링의 프레임을 통해 미술관 시스템, 제도적 노동, 그리고 그 형식 안에 내재된 이중성을 들여다본다.

(close)